Maxine Chadburn is a performance artist based on the unseeded territory of the Coast Salish peoples. She has worked with various independent choreographers and companies touring nationally and internationally. Maxine has focused her studies on Contemporary dance, contact improvisation, improvisation, Meisner’s Technique and Fitzmaurice Voicework. For her work in feature film, she’s received nominations for Best Lead Performance by a Female in a Motion Picture and Best Emerging Performer presented by the Leos and UBCP/ACTRA Awards.
Christoph von Riedemann was born and raised in New Westminster on the unceded Central Coast Salish territory of the Qay’qayt and Musqueam First Nations. He grew up dancing at Arts Umbrella under the instruction and mentorship of Artemis Gordon, Lynn Sheppard, Marquita Lester, Emily Molnar, Justine Chambers and Lina Fitzner. After graduating from the school’s graduate program he joined Ballet BC where he danced for 4 years. He was lucky enough to work with many incredible artists: Crystal Pite, Sharon Eyal, Johan Inger, Company 605, and many others. Since leaving the company he has been in Vancouver working with Karissa Barry, Rachel Meyer, Jenifer Mascall and Lexi Vajda. He is fascinated by human connection, sensitivity, strength and potential; Christoph chooses dancing to remind himself what they are made of.
Stéphanie Cyr is an independent dance artist. She has had the pleasure of researching, working and performing with imPerfect Dancers Company (Italy), Andrea Peña & Artists (Montréal), Lesley Telford | Inverso, TWObigsteps collective, David Harvey, Serge Bennathan, Rachel Meyer, Christoph Von Riedemann, Action at a Distance and Wen Wei Dance, among others. She is an Arts Umbrella graduate and has also pursued further training and performance opportunities with Springboard Danse Montréal, the Creative Gesture at The Banff Centre and PReP (Performance Research Program) led by Lesley Telford.
Lexi Vajda is an independent dance artist who has the privilege of living and working on the unceded territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations. Lexi's interest in movement, imagination and sensation culminates in a practice of making performances, installations and film as well as interpreting the works of other artists. Her work investigates expanded notions of dance, peripheral spaces for choreography, improvisational score making, as well as collaborative, anti-oppressive, and intersectional approaches to performance and pedagogy.